Works
Online Exhibition:
Bernhard Hausegger
Doppelgänger
October 04 – November 16 2024
Bernhard Hausegger
Hahaha, 2023
Bernhard Hausegger
Untitled, 2023
October 04 – November 16 2024
Online Only
Presented in close collaboration with Harald Bichler of Galerie Rauminhalt (Space & Content), and in tandem with Bernhard Hausegger’s Weitere Überschüsse (More Surplus), October 04 – November 11 at Galerie Rauminhalt in Vienna, Austria.
Phantasmal Precision
Marta is honored to announce and present Doppelgänger, an online-only exhibition of paintings and chairs by Vienna-based artist Bernhard Hausegger. This selection of two- and three-dimensional works, arranged as diptychs, or doubles, as the German etymology of the show’s title implies, centralizes the dual focus of Hausegger’s practice and his expressions—articulation, then deconstruction, and then reconfiguration—of form.
As if through memory, the artist’s paintings render architectural spaces, illustrative figures, and their accessories with phantasmal precision—their outlines a simultaneous apparition and disappearance. Hausegger’s large-scale canvases allow for expansive yet reduced treatments of his visual worlds, many of which are populated with inhabitants whom we find vaguely familiar; the shape of a pair of shoes perhaps triggering the fleeting recognition of a character from a popular comic or animation. Within the artist’s often desolate landscapes, an ominous optimism recurs, augmented by the relationship between color and form. A bright coral knoll gently rises beneath a disembodied hand wielding an abbreviated ax while the turquoise grip of a pistol rests downward, as if holstered, the danger of its barrel diminishing in silhouette. These scenes, from two untitled paintings, and their concurrent location and dislocation, emphasize Hausegger’s fluid treatment of time and perspective—an eternalism that suggests the coexistence of past, present, and future events.
Extending from wall to floor, the artist’s chairs present under a similar guise. These historic designs, collected or received from various sources, are minimally altered, covered with polyester resin, and then painted to both maintain and obscure their original structures, the result of which offers us seating works as projection surfaces for corrections. The ‘skins’ that Hausegger utilizes in this process both reinforce and conceal the lineage of form and result in their orientation as generative objects with synchronous histories—the moment of recognition ascribed to the interrogation of form, its appearance, and our recollection thereof.
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Doppelgänger is the gallery’s inaugural remote / online exhibition, and looks specifically to Vienna as a sister city to L.A., illustrated historically in transatlantic relationships like those of Rudolph Schindler and the Museum of Applied Arts (Museum für angewandte Kunst), or MAK. This is the first presentation in the gallery’s notional and embryonic Paintings & Chairs program.
About the Artist
Bernhard Hausegger (Austrian, b. 1957) lives and works in Vienna. Hausegger studied sculpture under Bruno Gironcoli at the Academy of Fine Arts in Vienna. This is the artist’s first exhibition in Los Angeles, his first in the US, and his first with Marta. Doppelgänger is presented in collaboration with Rauminhalt Harald Bichler, who represents Hausegger’s work globally. Of Hausegger’s work, the academic Sabine Dortschy writes — “Sometimes the figurative is reduced to fragments of bodies or silhouettes that try to locate themselves within brightly colored rooms. But it’s not easy; perspectives shift effortlessly in the image, both anchoring and permeating the figures ... It is difficult to determine what is foreground or background here ... A man sketched with a few strokes reaches out with an oversized hand that seems to liquefy mysteriously. What could he have touched before?”
About Rauminhalt
Harald Bichler founded Galerie Rauminhalt (Space & Content) in Vienna in 2003. Uniquely in Austria, the gallery exhibits work that questions the conventional distinction between art, design, architecture, and science. “Where disciplines intersect, opportunities arise to gain a more comprehensive understanding of the world,” says Bichler. The gallery supports artists whose work introduces a refreshing change of perspective on our relationship to objects. In regular solo and group exhibitions, current artistic positions are presented with this tension in mind, and the possibilities of dissolving the boundaries of various cultural fields are put up for discussion from different perspectives.
Galerie Rauminhalt
Schleifmühlgasse 13
A-1040 Vienna, Austria
Installation view with HaHaHa (2023).
Bernhard Hausegger, Lärm im Land — Folge 2 (Noise in the Country — Episode 2).
Palais Herberstein, Vienna, 2023.
Diptych No. 1
Bernhard Hausegger
HaHaHa, 2023
Oil on Canvas, Wood Artist’s Frame
78.7 × 71.0 in.
200.0 × 180.0 cm
Bernhard Hausegger
Ohne Titel (Untitled), 2014
Found Chair, Polyester, Varnish
30.7 × 16.5 × 19.7 in.
78.0 × 42.0 × 50.0 cm
Diptych No. 1
Spread from Lärm im Land — Folge 2 folio.
Galerie Rauminhalt, 2023.
Some things seem to have stepped out of the paintings and congealed into sculptures in space. The good or evil spirits: did you call them, and did you mean yourself? — Sabine Dortschy
Detail of Ohne Titel (Untitled), 2020.
Detail of Ohne Titel (Untitled), 2021.
Diptych No. 2
Bernhard Hausegger
Ohne Titel (Untitled), 2021
Oil on Canvas, Wood Artist’s Frame
78.7 × 59.1 in.
200.0 × 150.0 cm
Bernhard Hausegger
Ohne Titel (Untitled), 2023
Found Chair, Polyester, Two-Part Lacquer
36.2 × 15.4 × 15.4 in.
92.0 × 39.0 × 39.0 cm
Diptych No. 2
Spread from Ein Anderer Könnte Kommen folio.
Galerie Rauminhalt, 2017.
Installation view with Kleiner Rummel (2022).
Bernhard Hausegger, Lärm im Land (Noise in the Country).
Kunsthaus Muerz, Mürzzuschlag, 2023.
Installation view of —
Bernhard Hausegger, Lärm im Land (Noise in the Country).
Kunsthaus Muerz, Mürzzuschlag, 2023.
Installation view of —
Bernhard Hausegger, Lärm im Land (Noise in the Country).
Kunsthaus Muerz, Mürzzuschlag, 2023.
Diptych No. 3
Bernhard Hausegger
Kleiner Rummel (Little Hustle), 2022
Oil on Canvas, Wood Artist’s Frame
78.75 × 71.0 in.
200.0 × 180.0 cm
Bernhard Hausegger
Ohne Titel (Untitled), 2017
Found Chair, Polyester, Two-Part Lacquer
32.3 × 18.1 × 20.9 in.
82.0 × 46.0 × 53.0 cm
Diptych No. 3
Installation view with Kleiner Rummel and Rat von einer Raupe (both 2022).
Bernhard Hausegger, Lärm im Land — Folge 2 (Noise in the Country — Episode 2).
Palais Herberstein, Vienna, 2023.
Hausegger’s large-scale canvases allow for expansive yet reduced treatments of his visual worlds, many of which are populated with inhabitants whom we find vaguely familiar; the shape of a pair of shoes perhaps triggering the fleeting recognition of a character from a popular comic or animation.
Detail of Rat von einer Raupe (Advice from a Caterpillar), 2022.
Diptych No. 4
Bernhard Hausegger
Rat von einer Raupe (Advice from a Caterpillar), 2022
Oil on Canvas, Wood Artist’s Frame
78.7 × 59.1 in.
200.0 × 150.0 cm
Bernhard Hausegger
Ohne Titel (Untitled), 2016
Found Chair, Polyester, Two-Part Lacquer
29.5 × 19.7 × 23.6 in.
75.0 × 50.0 × 60.0 cm
Spread from Lärm im Land — Folge 2 folio.
Galerie Rauminhalt, 2023.
Rat von einer Raupe (Advice from a Caterpillar), 2022.
Spread from Kleiner Rummel folio.
Galerie Rauminhalt, 2016/2017.
Diptych No. 5
Bernhard Hausegger
Ohne Titel (Untitled), 2020
Oil on Canvas, Wood Artist’s Frame
78.75 × 71.0 in.
200.0 × 180.0 cm
Bernhard Hausegger
Ohne Titel (Untitled), 2016
Found Chair, Polyester, Rust Protection Paint
34.3 × 16.1 × 19.7 in.
87.0 × 41.0 × 50.0 cm
Diptych No. 5
[Hausegger’s ] Paintings ... are not attributable to any particular category, but surf in a current and [occupy a] barely tangible condition ... the comic-like figure, which is not a comic, in the desert-like landscape, which is not a landscape. — Margareta Sandhofer
Installation view with Ohne Titel (2020).
Bernhard Hausegger, Mit Verwackelnden Konturen (With Blurred Contours).
Galerie Rauminhalt, Vienna, 2020.
Marta
is a Los Angeles-based, globally-engaged art gallery. Founded in 2019, the gallery makes space for artists to experiment with the utility of design, and for designers to explore the abandonment of function. Marta
’s curatorial and publication programs take interest in the process of a work’s creation as well the narrative of its creator(s). Marta
embraces the intersection of and the transition between disciplines, advocates for diversity in design, and promotes broad access to the arts.